COREY COFFMAN - DEEP DOWN
STUDIO
Located in Northern Colorado, DEEP DOWN was designed from 2021-2023, and construction was completed in 2024. Built to commercial recording standard in all systems from isolation + acoustic design through electrical + HVAC. Designed from the ground up and fully tuned by Mathias Schlachter.
EQUIPMENT
RECORDING
Aurora Audio GTP8, API 3124+, Yamaha M406 x6, Aurora Audio GTC2, Thermionic Culture The Phoenix Mastering Plus,
API 5500, Thermionic Culture The Swift, Thermionic Culture Little Bustard
Apogee Symphony MK I 16x16
ATC SCM20ASL
Subwoofer Pros Studio Sub2-10C (x2)
Yamaha NS10s / Bryston 4BST
Drawmer MC2.1 Monitor Controller
MICROPHONES
Coles 4038 x2 (matched pair), Royer 121, Beyerdynamic M160, AKG D12E (vintage), Sennheiser MD441 (vintage),
Senneheiser MD421 x2, Audio Technica ATM25 x2, Shure SM57 x4, Shure SM58 x2, Unidyne 545SD, Shure SM7b,
Electro Voice RE20, Wunder CM7 FET, Wunder CM7 GS M7, Sennheiser e602, Neumann KM184 x2 (matched pair)
Joly Modded MXL 990
AMPS + CABS
1968 Drip Edge Fender Twin, 1954 Fender Deluxe, 1969 Fender Princeton,1968 Drip Edge Fender Bassman 50W,
SOVTEK MIG50, Mesa Mark III Purple Stripe, Fender Super Bassman, 2x15 70s ProCo Cab with Fullbacks,
1980s Peavey Mark IV, Orange PPC412-C Cab w V30s, Marshall 1960AX 4x12 w Greenbacks, Weber X-Cab open-back 2x12 with ceramic Gray Wolves, Weber Z-Matcher, Weber MASS 200 Attenuator
DRUMS
13, 16, 24 Maple GLADSTONE Series C&C Shells, 1990s 14x6.5 Ludwig Supraphonic,1990s 14x6.5 Ludwig Black Beauty,
Istanbul Agop 24in Joey Waronker Ride, Istanbul Agop 24in trad dark crash, Zildjian K Light 15" Hats, Istanbul Agop 15in OM Cindy Blackman Hats, Istanbul Mehmet 20in Dark Crash, Zildjian 22" K Light Ride, Arturia DrumBrute Impact
PEDALS
I have all sorts of effects pedals. If you're looking for something specific just let me know.
RATES + BOOKING
RECORDING
I generally book about 3 months out for tracking, and quote this on a case-by-case basis. It takes about 10 working days to cut a full length with me. I normally mix and master everything I record after the fact.
MIXING
Remote mixing is something I handle often. I generally do a per-song rate based on the material.
MASTERING
I master remotely all the time. It's something that informs my production from the ground up. I have no real genre-lines with this, and work on all sorts of music. I can provide any necessary files for distribution/manufacturing other than cut-files.
STUDIO RENTAL
My studio is available for rental at a competitve day rate without an engineer. Live room, Iso, CR, Lounge, and bathroom in a detached structure.